The creation laws of classical oil painting is what the light and color

The creation laws of classical oil painting is what the light and color.

Compared with black and white, is a common motif in contrast, false or true contrast, density contrast, etc.

Have a color, contrast color contrast (such as red and green, yellow and purple), contrast, or color purity pure compared with grey color. We are after the impressionist color concepts, the red champak can use more pure, even as the colour of purity. This is almost taboo in the classical painting. On the surface, classical oil painting and a conventional is; Color pure and gray contrast, generally speaking background not than skin color is more bright-coloured. Too much said some, classical painting, you can even don't know the color, such as only know natural color and do not know much about environmental color. As our general color sketch some of the law. But you can't do not understand the purity of colour, that is to say can not be ignorant of the pure color and gray contrast. (although classical paintings gray, often with a red.) An interesting phenomenon; Don't pay attention to pure and ash on colour contrast, is almost in the sketch does not pay attention to comparison of virtual and real people. And the man is almost every Chinese art students (failing). Print the hardest of all to print out the original effect, namely the purity of color contrast. Because of the beautiful, can put all things printed matters can also put all the things the gloomy, but you can't put the ash in an image with more grey, beautiful place again at the same time printing more beautiful, so we in the print; The first to see is this painting aesthetic feeling. When we say "classical painting", is actually trying to generation refers to "the most classic painting of figures". After learning the impressionist many things should not be a bad thing, but we must not be lost. The simplest example; Its basic requirements and features of classical oil painting seriously, than even the rest of the same picture, were more than a dozen times, even dozens of times. This with any other type, any region than any means, is extremely rare. Impressionist, for example, in addition to natural light, all treat the average. Features of float world draw in more close to program to deal with. This rare density contrast are not isolated, it must also be accompanied by other play all the contrast of as much as possible. "Notre Dame DE Paris" to an almost includes all of the novel techniques, while other novel not as perfect as Notre Dame DE Paris. Say a joke; If we put Angle one eye in the picture is in renoir face characters, but also has many problems to be solved to achieve slightly a little look comfortable effect. On the contrary, if the renoir's eyes on the portrait Angle, we just put the eyes back again. In almost all the paintings in the lack of classical paintings density contrast, false or true. Especially lack even regardless of is the purity of color contrast in the classical painting. Our seminar, in fact, more and more by the laws of classical, into a modern, propylene (affordable), exquisite realistic oil painting.